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2001 - A Space Odyssey
Starring: Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter, Leonard Rossiter Director: Stanley Kubrick Average Rating: 
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| Customer Reviews 1-5 of 922 | NEXT >> |
2008-11-20I first saw this film when I was 14, in the year it came out - and to say I was dazzled, confounded, stirred to my soul, is understating my reaction. Certainly I didnt understand its depths at that point, but the surface alone was enough to captivate me & make me think. Since that time, severeal decades have passed, and I've watched it many times over, gaining more with each viewing.
The wildly divergent oppinions in the previvous reviews tell a story all their own, and demonstrate what a cultural & philisophical Rorschach test this film truely is -- love it or loathe it, there don't seem to be many neutral responces to it. It's definately not a film for those with short attention spans, or those who want to stay inside a very secure comfort zone. Comfort is the last thing it offers!
No need to offer a synopsis. Even if you haven't seen it yet, its themes & images are known to just about everyone -- the apes, the monolith, HAL. Anyway, this isnt a typical narrative. It's much more of a symphonic poem than a regular plot-driven story -- you should surrender yourself to it. The slow, measured pace is integral to understanding it on a deep, visceral level, because it takes the viewer outside of ordinary time, allowing us to set aside the distracting speed & information overload of everyday life.
So, we're in cosmic time here, an oceanic infinity where the everyday no longer applies, where swarms of byte-sized factoids are irrelevent. In a way, it's like meditation -- slowly shutting off the chatter of the monkey mind, so that we gradually become aware of something far more imense & vast.
It's not a thrill ride of sensation & immediate gratification. It's intensity of experience, building gradually & inexorably to a crescendo, a breakthough of perception. Rational, logical explanation isnt the point while watching ... although afterwards, you'll have plenty to think about & discuss with others!
That discussion will cover a lot of ground, too -- the orgins & ultimate fate of humanity, the nature of the universe, the essense of the sacred, the limits of technology, dehumanization, the meaning of existance -- and that's just the start. It offers questions, not answers, and challenges all who watch it to search for those answers themselves, within themselves.
The depth psychologist Carl Jung once said that the hardest thing in the world for anyone to do is simpley sit alone in an empty room with his or her thoughts. "2001" puts you in that room, just as it put Dave Bowman in the same room. A safe, familiar, but sterile room -- and he emerges from it reborn, ready to grow into his expanded universe. Like any great work of art, that's precisely what this film offers each viewer. As in Rilke's poem "Archaic Torso of Apollo," it tells the viewer, "You must change your life." Whether you choose do so is up to you.
To those who find it boring or meaningless -- wait awhile, then give it another try. Sooner or later, life will have you asking, "What's it all about?" Slow down, reflect, and you may find that the film opens up to you at last.
Most highly recomended!
2008-11-20"2001" is the most boring SF film of all time. If it had been edited to a 15 minute film, including the docking of the Earth-to-space ship with the artifical satelite (the best scene) it would still be too long. In addition to which, I always have felt that it expressed a real dislike of humanity. Why this is still concidered a "classic" I will never understand. And, the special effects have always been terrible. Also, to call the acting "wooden" is kind.
2008-11-16Always been a fan of the 2001 series and finaly having the caperbility to watch 2001 on blu ray has made all the better. After I picking up the movie I popped it in to check to make sure it worked and everything was perfect, not only did it look crisp and clean but I couldn't even turn it off untill I forced myself to say ok you have class get to it. A good buy and worth the time.
2008-11-16The sets, lights and almost everything about the movie seemed to have been meticulously (and inteligently) planned and excecuted to create a modern-day masterpeice! Akin to watching a series of paintings by Dutch and Italian masters.
2008-11-12After years of watching and admiring this film, it dawned upon me that this is a tale of romance between man and the universe.
We're concieved as "early man" in the beggining, are touched with a revelation that puts us on the path towards (some kind) of maturity.
The pivotal event defining that maturity is when humans dicover a beacon, the monolith, on the moon. Now begins the final step towards man's evolutionary destiny.
The proccess of Bowman changing from man to star child is depicted as a metaphorical act of sexual intercourse. (Ever wonder why the dicover 1 is shaped so long with a round head?) Once dicovery 1 has ejected its pod and penetrated the slit-shaped monolith, conseption and procreation begins, and finaly ends with a planet-sized fetus, the star child.
I wonder if Kubrick (not Clarke, because his script was absent of the visual metaphors that Kubrick used) had knowlege of the medeival quest for the creation of the philisopher's Stone.
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| Editorial Review |
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
If you like "2001 - A Space Odyssey", you might also like ...
|
Close Encounters of the Third Kind (Two-Disc Collector's Edition) |
2010: The Year We Make Contact |
Top Gun |
Galapagos [Blu-ray] |
The Searchers |
